The_Perfect_Storm wrote:
AbstractAlien wrote:
I think it's just typically poor writing from Steven Moffat. I don't understand why he is so praised - I find his writing is hollow, shallow, contrived, emotionally-manipulative and poorly researched. It might seem "clever" on the surface but anyone can see how poor it is when they look under that surface. One only has to watch his Dr who episodes : "audience substitute childen", female characters defined by their gender, deus ex machinas, catchphrases for the schoolyard ect.
I attempted to watch this Sherlock show but found it just as poor as his other work. If you want a modern Sherlock Holmes, you'd probably be better off watching an episode of House.
How exactly are females defined by their gender? There aren't even that many in Sherlock.
Not in Sherlock no, but I was clearly refering to Dr who as my critiscm is of Moffat in general. When female characters are defined entirely by things like them being mothers, wives and men they love that's pretty poor writing IMO.
Sherlock itself is just the next in an endless line of a writer thinking they are so clever by remaking an old classic/legend/story and putting it into a contemporary period and filling it with modern tropes and pointless updates IMO
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