The Triumph of Sherlock Holmes (1935)
This movie begins with the dumbest thing I've ever seen in a Sherlock Holmes movie. Even dumber than Holmes going undercover in blackface in The Spider Woman. Even dumber than Holmes having a threesome in Sherlock: Case of Evil. Even dumber than the scene in Young Sherlock Holmes in which Watson hallucinates that a bunch of cupcakes are coming to life and shoving themselves in his mouth. At least all of that silly BS made sense in context.
So, Holmes is preparing to retire. He tells Watson that his only regret is that he never put the evil criminal mastermind Professor Moriarty behind bars. Moriarty pays Holmes a visit, warning him that he'd better be serious about retiring, or else! The basic idea behind this scene, and a lot of its dialogue, is taken from one of the original short stories, "The Final Problem." But in that story, M visited H because H was actively pursuing M, and M was trying to convince H to abandon his pursuit, or else M would be forced to kill H. In this movie, H is ready to retire and seems to have given up on M. So why the hell would M show up, just to threaten H one last time? This is a criminal genius? To quote Harvey Keitel: "Are you so much a f***ing loser you can't tell when you've won?" The dialogue from "The Final Problem" ends up being completely nonsensical, as M still sounds like he's pleading with H to drop his pursuit, even though H isn't pursuing him at all in this context. Adaptation means change, Mr. Screenwriter.
Anyway. It's no different than the other Holmes films starring Arthur Wontner. In other words, Wontner is very good but he's surrounded by crap. The movie looks like it was made on a budget of $1.50 (adjusted for inflation), the writing is crap, and nearly every actor who isn't named Arthur Wontner is a total joke. He seems to be taking the material seriously, but everyone else apparently thinks they're in a Saturday morning cartoon. It's an inappropriate tone for a story about a detective solving the murder of a guy whose face was blown off with a sawed-off shotgun. Like so many other early Holmes films, it makes the mistake of revealing the who, why, and how of the crime before Holmes starts his investigation, making the second half of the movie redundant for the audience as they wait for Holmes to discover what they already know. I had seen this movie once before, but that was a long time ago, before I had read the book that it's mostly based on (The Valley of Fear). Seeing it a second time didn't make me like it any more. This is for psychotic Holmes fans like me and nobody else.
Random thoughts:
* The existing prints of the Wontner films are in awful condition. In his review of The Sign of Four, James Lileks says: "Unfortunately, the print seems to have been duplicated by projecting the worst copy they could find on a bed sheet, and having someone sketch it with pencils." He's only exaggerating a little. (Click here to see proof). The sound is so bad that I can barely make out half of what's being said. As a result, it's practically impossible to understand the movie without reading the book.
* This movie is either a reboot of the Wontner series, or the writers just didn't care about continuity. Holmes laments that he never caught Professor Moriarty, but he did exactly that in the first movie of the series, The Sleeping Cardinal. Holmes calls Moriarty "the brains behind the biggest criminal organization in Europe," but Watson thinks he's mistaken and calls Moriarty a "harmless old professor of mathemathics." Funny, because Watson saw for himself in The Sleeping Cardinal that Holmes was right about Moriarty, and he witnessed the professor being led away by police at the end.