JRose wrote:
Quote:
Let the Right One In was disturbing as all hell in book form. Eli's helper (called Hakan in the book) was a paedophile, there was a much stronger sense that Oskar was going to become a serial killer, and there was a far more disturbing secret about Eli than they fact that she was a vampire stuck at the age of 12, a secret hinted at in the Swedish adaptation. And yet, not only was it a complex and fulfilling story, it was also, once you stripped away the disturbing elements, a rather sweet and touching one. You could say beautiful, in a perverse way.
That was exactly my point; vampires aren't good guys. They're evil sons of b*****s, but what makes them intriguing whether they're Nosferaatu or Dracula like vampires they can still become sympathetic and likeable characters. The people that are attracted to them shouldn't be stupid teenage girl, they should be characters with the potential or are already just as evil. Yes,
Let the Right One In is disturbing but that's where I found it beautiful; anyone can tell the story of two good guys in love but it's rare when people find themselves rooting for two bad guys in love.
Don't misunderstand though please, in reality I want the bad guys caught and put away.
Actually, having vampire protagonists (and moral ones, at that, as long as they are struggling with their natures) aren't such bad ideas. Neither is a vampire romance. I felt it was more about the implications of Bella and Edward's relationship, especially how it starts off in
Twilight, that's the problem. He was pretty much a stalker, and she was stupidly infatuated with him. And while the whole concept of 'sparkling' skin was ultimately stupid, I felt it a brave step away from established vampire lore.
As I said,
Twilight wasn't abysmal. It was just mediocre and tended to have too much boring purple prose, not to mention a bit disturbing in terms of implications. It's the sort of thing a hormone-addled teenager would like, despite the fact that you can use some editions to beat a goat to death with.
Let the Right One In did things right because Eli was still rather ambivalent towards her own nature as a vampire. She also does care (at least in the book) for Oskar. The book is more about Oskar's character development, though. He moves away from being a potential serial killer at least.
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