Feedback on logline/synopsis for screenplay I wrote
I don't know if this is the best place for this post or not. I have a screenplay posted on InkTips and one of the things they say is to run your logline and synopsis past people to test them. Well, I don't know anyone to ask, so I thought I might ask here.
What are your reactions? Do these draw you in? Turn you off? Make no sense? The idea is for each one to want to get people to go to the next one: logline -> synopsis -> screenplay. How am I doing?
Jock the Unicorn
Feature film/Fantasy
An idealistic unicorn struggles to find a way of joining the "real world", in spite of his lack of status and resources, but does not find success until he becomes a fashion model.
Our story begins almost a thousand years ago, in northern India. Asoka and Aishwarya are two young rhinoceros cousins who do not quite fit into rhinoceros culture because of their idealism. Asoka tries to comfort and help a young human girl who comes down to the river, but his appearance scares her off. So that night he prays to the full moon, and a goddess appears and transforms him into a beautiful western unicorn. The next morning the other rhinos laugh at him and say "Now you look like a sissy, too!"
Asoka heads off into the wider human world, to help the girl and others, but runs afoul of human politics and must leave India and Aishwarya behind. Aishwarya catches up to him in Europe, having undergone the same transformation herself, and Chaucer rechristens them Jock and Sheila. As they travel from country to country, meeting one great historical figure after another, Jock feels increasingly frustrated by his inability to get his career as a unicorn off the ground. Finally, in modern times, he expresses his despair at ever achieving his purpose in life. The goddess reappears, reassures him that things are looking up, and transforms the story from animated to live.
Then Jock and Sheila befriend a young fashion design student named Lucy, who is having a hard time figuring out what to do with her life, as well as how to make ends meet. They decide to help her, but for that they need jobs, and the only job they can think of to do is be fashion models. Fashion models it is!
Success and fame give Jock and Sheila a platform for their idealism, but at the same time they must navigate the real world, with its unicorn-inaccessible transit and infrastructure, a world that does not really believe they are anything other than horses with add-on horns and ventriloquism. A world that does not believe they have rights.
PS The story is about the social model of disability.
It seems very interesting, and it's certainly something I'd watch, but I wonder how they'd be able to make it. If you have a lot of spare time, you can try turning it into a book, and then use that to sell the screenplay. The story seems fascinating but somehow absurd enough for me to watch, which is a good thing. Perhaps, in order to make people more excited about the synopsis, you can focus more on the part you really want it to be about - unicorns trying to navigate a world built by and for humans - and cut down on the more difficult explanations a bit. Keep some of the information to yourself until someone shows genuine interest. It's the part of the plot that really appeared most important here.
In any case, I'd ask for the actual screenplay now.
Log line should be more like, "An idealistic unicorn struggles to find a way of joining the "real world" and hopes to find success as a fashion model."
Your original log line states the ending! You want to tease your audience, this will make them want to ask for more.
Your synopsis is too long. Look at IMDB, Variety, or script selling sites online. People have no patience these days, so a one or two paragraph synopsis should suffice.
A movie such as yours would be expensive to make Disney style. I can see it being made anime style because their art is drawn for 4fps presentation. Also, anime is well known for producing bizarre and nonsensical characters and situations. Your story would fit. It'd still be expensive to produce, though.
Like the other poster said, if you wrote this as a short story, novella, or novel it could probably get published on a SF or fantasy website. Just curious - who is the story intended for - children, teens or adults?
_________________
One Day At A Time.
His first book: http://www.amazon.com/Wetland-Other-Sto ... B00E0NVTL2
His second book: https://www.amazon.com/COMMONER-VAGABON ... oks&sr=1-2
His blog: http://seattlewordsmith.wordpress.com/
Your original log line states the ending! You want to tease your audience, this will make them want to ask for more.
It actually doesn't state the ending. (He ends up in jail because he charges a car and dents it, and has to establish his sentience so he can testify on his own behalf. Big court room drama.) I didn't realize it sounded like it did. Yikes! Thanks.
I'm actually thinking of just going with "A unicorn becomes a fashion model" as a very basic hook.
They tell me that a synopsis can be up to 450 words, so I thought mine was short, but of course I can shorten it.
It's for all ages. I had thought of getting it done somehow as a graphic novel first. For that I'd need to find the artist and then we together would look for a publisher. But I didn't find an artist. (Not that I looked hard.)
I was thinking something like Hop or Ted in terms of how it would be made. I loved Hop! (Saw it three times at the dollar cinema.) Jock isn't as light as Hop but nothing as adult as Ted.
Anyone who actually wants to read it is welcome to email me.
I just read what Hop is about on IMDB. I'd never heard of it till now. I see it cost 63 mil to produce and grossed over 100 mil so it's a success. Ted's also a success, too. Hop is PG and Ted R, both obviously not for all ages (that's why I'd asked who it was written for).
One striking difference, though, is your story vs theirs. Their stories are relatively simple one plot ideas. Yours seems to be all over the place. Hopefully it's written in such a way there's a main focus and everything else are minor subplots. I had no idea your transitions into a courtroom drama. Oy!
How many pages is your script? How many characters? How would you describe its central conflict - Man vs man? Man vs machine? Man vs supernatural? Man vs himself? Man vs fate? Man vs God?
_________________
One Day At A Time.
His first book: http://www.amazon.com/Wetland-Other-Sto ... B00E0NVTL2
His second book: https://www.amazon.com/COMMONER-VAGABON ... oks&sr=1-2
His blog: http://seattlewordsmith.wordpress.com/
118 pages. Three main characters: two unicorns and a human friend. Central conflict = differently abled vs societal norms (fish out of water, I guess).
And yes, I guess it's quite complicated. For an autistic person it's not bad, though. (I hope.)
I'm in the process of rewriting another one that had way too many characters (15-20) and I've narrowed down to 8, I think. I can see how I tend to go overboard on the complexity. Perhaps it won't be my first sale, then.
I congratulate you on having completed Jock the Unicorn, by the way. Scripts are not the easiest things to write. I should know. I've written six.
_________________
One Day At A Time.
His first book: http://www.amazon.com/Wetland-Other-Sto ... B00E0NVTL2
His second book: https://www.amazon.com/COMMONER-VAGABON ... oks&sr=1-2
His blog: http://seattlewordsmith.wordpress.com/
My screenplays:
Stranded in Paradise (historical fiction about Hitler and Eva Braun in exile after the war)
Diamondback (crime drama set in NYC)
Strung Out (drama about young outcasts)
Iron Maiden (a woman returns to her small town after prison but gets embroiled in a controversy involving murders)
Wetland (interwoven drama involving 3 couples in Seattle)
Tears of a Clown (someone is killing the best and brightest a small town has to offer)
Tears of a Clown almost went into production because it was the simplest of my scripts. It would've been a standard horror movie. I'd planned to shoot Wetland myself in Seattle, but I'm in the middle of turning it into a novella and should have it published, along with a few short stories, by spring of next year.
Thanks for asking, by the way. This is the part where I hate Asperger's. I come up with an idea for a script, write its treatment, then outline, then full script, then...move on to my next special interest. I'm also a songwriter, musician, engineer. My script follow throughs are sorely lacking. Maybe I'll find the time to refine my scripts (they're between 2 to 12 years old) and try to sell them. As you know yourself, trying to accomplish all this and working full time can drive you insane!
_________________
One Day At A Time.
His first book: http://www.amazon.com/Wetland-Other-Sto ... B00E0NVTL2
His second book: https://www.amazon.com/COMMONER-VAGABON ... oks&sr=1-2
His blog: http://seattlewordsmith.wordpress.com/
I wish. I'm on disability and suffer from too much time, not enough structure. It's perhaps just as hard, but I probably should just load up on caffeine, stop complaining, and take advantage of all the free time.
I have this deadline I've set: the September InkTips Pitch Summit in LA. I want to get the next two ready to pitch by then. So that should keep me honest.
Strung Out and Iron Maiden sound like they might interest me.
CrazyStarlightRedux
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Anyone has any interest and time to read what I wrote? |
30 Sep 2024, 1:11 am |