the first mainstream film recorded at high frame rate [48 frames per second or higher] was the last hobbit movie directed by peter Jackson. lately there is a new film called "billy lynn's halftime walk" [a movie with a major portion of war scenes] recorded at 120 frames per second, a record for a mainstream film.
http://www.slashfilm.com/ang-lee-120-fps-footage/
http://www.scpr.org/programs/airtalk/20 ... cond-coul/
http://tnsjournal.com/culture/avatar-se ... er-second/
Douglas Trumbull, a few decades back, pioneered a process he called "showscan" that took regular IMAX film and sped the frame rate up to 60 frames, noticing that as the frame rate increased, test audiences showed increases in heart rate and respiration/perspiration and other vital signs, indicating increased psychological involvement in the process which subjectively increased "realism" based on the on-screen action appearing as smooth as in real life, with no visible judder. later on, this was adapted by IMAX itself with its 48 frame "high definition" process. Trumbull was also involved with the high-frame-rate recording process on Billy Lynn, and is presently tweaking the film to improve the experience even further, but not without pushback from traditionalists who could not tolerate the smooth on-screen motion and enhanced clarity, which btw was used just for the wartime scenes to give them an extra viscerality.
in the early 90s I was treated in las vegas, to a viewing of a Trumbull Showscan presentation, "journey of the nile" at the luxor theatre. the first thing I noticed, was that compared to 24 frame per second exhibition, the utmost clarity of the tiniest details such as peach fuzz, skin pores and types of makeup used were as plain as day. image/focus depth seemed to go on forever, onscreen movement was just as smooth as real life, and material textures stood out almost in a quasi-3D manner as did all onscreen action, it was all very palpably like real life. it made me sweat and my respiration get shallow and my heart pound, it was enthralling. compared to it, regular movies seemed utterly dull, opaque and uninvolving, passé. since then I have wanted to see somebody in Hollywood take up the high frame-rate mantle, and ang lee [also peter Jackson and james Cameron] finally stepped up to the plate and promised more new films in the new high frame rate.
anybody else ever watch a high-frame-rate presentation in the cinema? I want to hear your experiences with this, positive or negative.