I played my piece in composition today and was....... perturbed by the results.
First, before a single note of the piece sounded, my professor decided to make a big fuss about the fact that the piece is in D-Flat major. He began this esoteric debate about whether key actually made a piece sound different. Annoyed, I proposed that we have esoteric musical debates in a musicology setting.
Then, he decided that my piece was "regressing". Not retrogressing, as in V going to IV for anyone who knows about theory, but regressing, as in my composition was getting worse. He said that it was too rigidly sectioned. This might be the case, but calling it regressive is just an insult. Among the insults was "I hope that this is more of an exercise." Yeah, an exercise. A whole summer's worth of classified painful experience went into this piece. If it were an "exercise", I would have written a stupid C Major piece to work on my counterpoint. I gladly invite constructive criticism, and that is what my fellow students gave me; this was just rude.
Lastly, he said that it was not expressive. It's a freakin' midi. There is a reason why we have live performers play our pieces. Midi has little to no dynamics, phrasing, rubato, or anything.
I would like to close by saying that I right music for one person. I'll give you three guesses who and a clue: this person's name is not Dr. Loris Chobanian.
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"Weia! Waga! Woge, du Welle,
walle zur Wiege! Wagalaweia!
wallala, weiala weia!"
I won't translate it because it doesn't mean anything.