Raptor wrote:
Meistersinger wrote:
The only concert I'd even consider attending would be either a concert by the Chicago Symphony Orchestra and Chorus (and yes, I still kicking myself for turning down the opportunity of singing with the Chicago Symphony Chorus when it still was under the direction of the late Margaret Hillis and the Orchestra under the direction of the late Sir Georg Solti) or the Lyric Opera of Chicago.
That's a totally different animal than what I think of when I think of concerts. There'd be a much more mature and civil audience with any kind of symphony orchestra/chorus.
Mature and civil? I don't think so! There have been quite a few world premieres in history that ended up in riots. The best known premiere was Stravinsky's The Rite of Spring. IIRC, Penderecki's Paradise Lost wasn't exactly well received at it's world premiere in Chicago back in 1977. Do I need to say anything about the music of Richard Wagner or Hector Berlioz? (Of course, Wagner was a blowhard and a megalomaniac, so his music causing trouble doesn't surprise me. Of course, putting a recording of the Berlioz Requiem on the stereo at 3:00 AM and cranking the volume up when said recording gets to the Tuba Miriam section (which is where all hell breaks loose, with 16 tympanies playing as loud as possible, 4 brass choirs playing as loud as possible, a choir of 300 people screaming at the top of their lungs, and an orchestra of 200 sawing away as loud as possible) is enough to start any police action.
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). The only other performance I know of and heard that nearly caused a riot was Sir David Zinman's "reinterpretation" of the Shostakovich 5th Symphony while he was still music director of the Baltimore Symphony.