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:(
I'm lonely 24%  24%  [ 18 ]
I'm crap 12%  12%  [ 9 ]
I'm lonely and crap 64%  64%  [ 47 ]
Total votes : 74

Sopho
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11 May 2007, 6:16 am

Aspie_for_the_Lord wrote:
Sopho wrote:
Aspie_for_the_Lord wrote:
im glad that your not feeling crap or lonely today Sopho...

keep it up

did you ever contact that girl you liked?

The one on WP?


Yep

No. :)
And I don't think I'm going to.



Aspie_for_the_Lord
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11 May 2007, 6:18 am

im writing an analysis titled

'How does Woolf use language to make her descriptions striking in the extract from 'the Waves'?'


want to see what i have so far?


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Kilroy
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11 May 2007, 10:29 am

Sopho wrote:
Aspie_for_the_Lord wrote:
Sopho wrote:
Aspie_for_the_Lord wrote:
im glad that your not feeling crap or lonely today Sopho...

keep it up

did you ever contact that girl you liked?

The one on WP?


Yep

No. :)
And I don't think I'm going to.


and why not?!

and Aspie_for_the_Lord, yes :P



Aspie_for_the_Lord
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11 May 2007, 3:27 pm

i have finished it already now...

but here is half of it (im not gonna give the whole thing away, dont want to be accused of plagerism if someone hands a similar one in :? ....

How does Woolf use language to make her descriptions striking in the extract from ‘The Waves’?

I shall start by placing this extract in context, so as to better understand the piece. This extract is from a novel of experimental nature called ‘The Waves’ by Virginia Woolf that was written in 1931. The novel was an experiment in using a pose or poetical form to explore the concept known as ‘Stream-of-consciousness’, but is has been said that the description of ‘prose’ or ‘poem’ or even ‘novel’ are inaccurate for this unusual piece of literature; it is called by experts in the field a ‘Playpoem’.

This ‘Playpoem’ is a series of several soliloquies from a set of characters separated by interludes of third person descriptive scenes of a coastal view; with each interlude chronicling a specific time of day from sunrise to sunset. It is suggested that these characters are not separate entities at all, but facets of a common ‘gestalt’ entity representing a deeper unifying consciousness. The extract we are examining however, is not from any of the soliloquies, but is from one of the Interlude coastal scenes.

So without further ado, I will now answer the question of how Woolf uses language to make the descriptions striking in this extract. It reads like an experience seen though the ‘eyes’ and is pure description, without any bias or apparent human interaction, this lends the extract a purity of thought and form and allows for minute detail of all that the ‘eye’ falls upon. It is this that makes the extract striking, if you read a paragraph and then close your eyes it is very easy to picture the moment, this was intentional and is done by utilising aspects of personification.


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Kilroy
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11 May 2007, 6:21 pm

I like I like :P



Aspie_for_the_Lord
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11 May 2007, 6:23 pm

Kilroy wrote:
I like I like :P

havge you read the Novel then?


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Kilroy
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11 May 2007, 6:25 pm

no...can't say I have



Aspie_for_the_Lord
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11 May 2007, 7:25 pm

oh.... i take it then, you mean you like my writing style?


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Kilroy
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11 May 2007, 7:36 pm

yes...that's right :D



Xenon
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11 May 2007, 7:37 pm

I'm so depressed, I am going to listen to some Leonard Cohen music to cheer myself up.

:lol:


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Kilroy
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11 May 2007, 7:38 pm

listen to Phil Collins :P



Aspie_for_the_Lord
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11 May 2007, 7:45 pm

Listen to Evenescence.......umm, wait....

did you say depressed? erm scrap that..... :lol:

try the Monkees


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Kilroy
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11 May 2007, 7:46 pm

Styx! Styx heals all wounds :lol:



Sopho
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11 May 2007, 7:48 pm

Rammstein. Listen to Rammstein. :) Du hast!



Xenon
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11 May 2007, 7:48 pm

I don't suppose now's a good time to mention that I was making a joke. (You see, Leonard Cohen music is depressing, and... never mind. I'm just blowing off steam after working all week.)


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Kilroy
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11 May 2007, 7:49 pm

Sopho wrote:
Rammstein. Listen to Rammstein. :) Du hast!


no Led Zeppelin they rock much more!! :P