IsabellaLinton wrote:
I knew you'd say that Prometheus.
It's fun to make you freak out about clothes! (lol -- hugs).
La Bohème or The Barber of Seville
same q
I was reading a book by Peter Hitchens last night in which he quotes journalist Richard Littlejohn, ahead of the 1997 Tony "Tieless" Blair landslide, gloating that the only man left in Britain who still wore a tie on Saturdays was John Major. Well, I was a year old at the time, but I certainly prove an exception to the trend today. I guess I'm the only man under the age of forty or so in the country to wear a suit and tie without being required to, but I don't care. I've received nothing but positive feedback, for what it's worth.
I think there's still an appetite for traditional dress in this country, it's just that my generation, with very few exceptions, wasn't provided with the skills, growing up, to wear suits
well. It really isn't a look you can just go into Primark and put on like you would any of the less noble, more fleeting fashions - it takes years of experience, research and observation to learn what a *good* suit should look like, and my generation just hasn't got that sort of dedication today, unless it's for posting inane rubbish on Facebook. I was lucky in having been brought up with the skills in question, but that probably makes me one in a thousand for someone in my age group.
As for the opera question - nothing high-brow here, but probably Mozart's
Zauberflöte, which isn't an opera at all, but a
Singspiel.
What's your favourite movement in the history of painting?