visagrunt wrote:
So what's more annoying, hearing a singer breathe, or hearing a singer go flat? Lung capacity is finite, and you must have enough air in your lungs for the diaphragm to provide sufficient support. The moment the pressure in your larynx falls, you begin to go flat.
Phrasing is one of the most important skills in oral performance (whether it be acting, recitation or singing). Singers will often work with musical directors or teachers for many hours working out the right points in the music whether they can take a breath.
Singing is not the mechanical reproduction of sound; it is an art form, and two singers will have different approaches to the same piece of music. Their different interpretations are just as important as the composers' and the lyricists' work in the creation of the finished product.
If you don't want to hear breathing, then listen to string or percussion music. If you want to listen to songs, then listen to the whole work, breaths and all!
Agreed... but on the other hand, if the musician is trained decently, they should be trained not to take huge, loud, obvious breaths that distract one from the music. It's part of good phrasing.
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Music Theory 101: Cadences.
Authentic cadence: V-I
Plagal cadence: IV-I
Deceptive cadence: V- ANYTHING BUT I ! !! !
Beethoven cadence: V-I-V-I-V-V-V-I-I-I-I-I-I-I-I-I-I-I
-I-I-I-I-I-I-I-I! I! I! I I I