__biro wrote:
I'm not talking about savant skills here. I seem to respond very differently to music then any NT's that I have met. For example when my friends listen to music they mostly listen to the words. I never listen to the words and I find it very difficult to listen to them and so I know hardly any words to my favourite songs. Instead I listen the music and not just the music, every single seperate note. I can easily say which instruments are being played and what tune they are playing and my friends can't seem to be able to do this. It's like I have different understanding of music then NT's.
Does anyone else hear music differently? How do you hear it?
I hear music like you do. I'd be worried if I didn't hear it like that now, after a decade and a half of musical training. I've been able to hear it like that for as long as I remember, though. I can't imagine focusing on the words rather than the music: to me, if the music isn't the primary focus, you may as well be listening to poetry with ignorable background music. (Of course, if the words and music are skilfully integrated, this isn't an issue.)
Speaking of disharmony, I have perfect pitch too, and I used to find that any mistuning was awful to listen to, but after doing various courses on non-Western music at uni, that have musics that don't use our tuning system, I find that I can listen to music that's not in equal temperament or just temperament and perceive it as interesting rather than annoying.
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Music Theory 101: Cadences.
Authentic cadence: V-I
Plagal cadence: IV-I
Deceptive cadence: V- ANYTHING BUT I ! !! !
Beethoven cadence: V-I-V-I-V-V-V-I-I-I-I-I-I-I-I-I-I-I
-I-I-I-I-I-I-I-I! I! I! I I I