Quote:
ooOoOoOAnaOoOoOoo wrote:
Sometimes a red dot is not merely a red dot but, in fact, a complicated work that took technique and skill to create. This is to be taken into consideration. How did the individual painter create that red dot? With his big toe? With his thumbnail? His pet snail? Is he saying something about Japanese Emperialism? A bloody cataract? A V-8 soaked paper plate? All three?
All this must be taken into consideration. Sometimes a dot is not just a dot, and a Pollack painting takes more effort to create than the work of a five year old in kindergarten class.
i agree wholeheartedly here.
the other issue is that the full import of a work can often be achieved by understanding the artist's historical trajectory - by this i mean - an understanding of their body of work over a period of time - which gives us fuller insight into the spiritual process that is at the very heart of her/his life. For me, it starts to get really interesting when i get into that. BUt then, art is my job and that is all I do - save for increasingly long periods of time reading about AS and hanging out on WP.
If one wants to see a good example of this - check out De Kooning's work - from his early classical training through to his brilliant mid career abstractions (which were frowned upon initially) and then to the later work when alzheimers had gripped him. it's an interesting visual biography to consider.