jonk wrote:
It made me wonder, while watching, just how picky she must have become about the precise characteristics of the Theremins she played, though. There is so much to get just right, I think, in dealing with near-field and I can imagine engineers good at electronics but not versed well on a musician's idea of what makes for a playable instrument getting a lot of things very wrong. The movie also talked about some of Theremin's (I think he was involved) attempts to get dancers in whole-body attempts to create music mingled with dance, with no useful results to the efforts. Which only goes to some of the difficulties involved in getting things right.
The electronics really aren't that complicated; it's just that the learning curve is a bit steep. I found that yes, there is a HUGE difference between theremins, mostly based upon construction materials. I can definitely understand why Clara was so picky about her instrument. As for the dancing: yeah, I remember reading about that and thinking about how fantastic it would be if anyone could make it work. My friend and I actually tried by putting magnets on marionettes, but it never quite worked.
jonk wrote:
Do you have any good references on the science and design methods to look up?
I'm afraid I don't have anything offhand; I'll have to get back to you. I built my theremin over five years ago, and I've lost a lot of the resources since then.