ironpony wrote:
Oh okay, but does it sound like that in the strings sample? If the first one sample is synthesized, like pointed out, does it sound too 'perfect', compared to the real instrument sample?
I thought so, it was too short to say for sure.
The strings on the Terminator soundtrack are real but if you notice the arrangement is sparse. It's very hard to play along to a computer and to integrate the two sounds successfully and it tends to drive musicians a bit nuts in the studio, asking them to do lots of takes, then hacking most of it away and just using one of their riffs.
It's not often that you hear the combination of live and sequenced other than some guitar bands who play along to a digital drum track.
I found it really hard to manage the mood when musicians are in the studio, trying to get a take that was longer than a few bars. They tended to get a bit dispondant when I had to quantise notes to land perfectly on beats, it's tricky and I take my hat off to whoever can blend the two sounds.
Massive Attack invited musicians into the studio, for their Blue Lines album, then went down to the pub and left musicians to play whatever. After the musicians were gone they integrated just a sprinkling of notes, the violin on Unfinished Sympathy for example. There's also a sample from Mahavishnu Orchestra, a sampled live beat thrown in and the rest is pretty much keyboards.
Last edited by Sahn on 11 May 2020, 3:44 pm, edited 1 time in total.