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Redxk
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24 Oct 2018, 7:59 pm

IsabellaLinton wrote:
Claradoon wrote:
Redxk wrote:
Let us hope they would respond differently than Branwell to the question of women's intellect! I have my doubts about some grown men.

Have we considered Branwell as possible model for Heathcliff?
Has Branwell saved himself from family obligations (the only male) by becoming incapable?
Could Heathcliff be the redemption of Branwell?


The comparison has been made often in criticism of WH. I see Branwell more like Hindley, because of his alcoholism, but in either event Branwell wasn't known to be particularly violent or to seek revenge on people. Emily's inspiration for Heathcliff seems to have come most directly from the Byronic heroes of early 19C literature, and from Manfred in particular:

"The Byronic hero—so named because it evolved primarily due to Lord Byron’s writing in the nineteenth century—is one of the most prominent literary character types of the Romantic period.

First appearing in his autobiographical epic, Childe Harold’s Pilgrimage, the Byronic hero is a faulted character who is typically isolated from society as a wanderer, or is in exile of some kind: whether the social separation is imposed upon him by some external force or it is self-imposed. The character rejects the moral codes of society and because of this, he is often unrepentant by society's standards. Due to these qualities, the Byronic hero is often a figure of cruelty as well as fascination.

One of the most discernible of these tragic heroes is Manfred, who is depicted wandering over distant and barren mountaintops, guilt-ridden his relationship with the late Astarte—its details, unspoken. It is believed that the myth of Byron’s own personality as well as his poetry—specifically Manfred—served as inspiration for the character of Heathcliff in Emily Bronte’s Wuthering Heights.

Although Heathcliff has been widely sanctioned in the realm of literature as the quintessential Byronic hero of Bronte’s novel, his identity is intrinsically consolidated with that of Catherine’s, thus rendering her the Byronic heroine. Both characters use each other to transgress societal conventions of their time: Heathcliff contravenes racial and socioeconomic standards, while Catherine contravenes the gender norm. To go even further, their consanguinity mirrors that of Manfred and Astarte, for their love lies between that of kinship and that of romance. "


Manfred Thesis

Does anyone in our group believe Catherine and Heathcliff had a physical or sexual relationship, or is the appeal of their relationship that it seems to be entirely spiritual in form?


OMG, I haven't read Manfred in 20 years, but I remember it really catching my imagination! Can't wait to reread it with HC in mind.



IsabellaLinton
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24 Oct 2018, 8:14 pm

Does anyone in our group believe Catherine and Heathcliff had a physical or sexual relationship, or is the appeal of their relationship that it seems to be entirely spiritual in form?

Also, hmmm.... next reading group led by Redxk, for Manfred?
I read a biography of the Shelleys this summer and would be game for Byron next!


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kraftiekortie
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24 Oct 2018, 8:17 pm

I feel that the bitterness Heathcliff feels argues for more of a sexual than a spiritual relationship. Heathcliff feels bereft of love. If the relationship were spiritual, I believe Heathcliff would feel glory in being Catherine's mate, even though they are in different "dimensions."



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24 Oct 2018, 8:42 pm

kraftiekortie wrote:
I feel that the bitterness Heathcliff feels argues for more of a sexual than a spiritual relationship. Heathcliff feels bereft of love. If the relationship were spiritual, I believe Heathcliff would feel glory in being Catherine's mate, even though they are in different "dimensions."


Nelly would be indignant if she'd missed spying on something so carnal! lol.
Let me think on that ... it's an interesting point.


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24 Oct 2018, 10:43 pm

Quote:
OMG, I haven't read Manfred in 20 years, but I remember it really catching my imagination! Can't wait to reread it with HC in mind.


Here I go again - Kindle - Byron - Manfred - $0.99
Last year I couldn't even have bought that. And now,
the big wrench - put it aside.



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24 Oct 2018, 10:49 pm

Claradoon wrote:
Quote:
OMG, I haven't read Manfred in 20 years, but I remember it really catching my imagination! Can't wait to reread it with HC in mind.


Here I go again - Kindle - Byron - Manfred - $0.99
Last year I couldn't even have bought that. And now,
the big wrench - put it aside.


:heart: :heart: :heart:


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24 Oct 2018, 11:00 pm

Please tell me again about Vols.I & II. I don't have these indicated but I certainly feel them. I think. There's the WH that I know so well and then the "2nd generation" - Heathcliff Sr. and Jr. living together etc. Was this the original publication? Or was there an outcry for 'More'? Forgive my ignorance but without Catherine Sr., it's another book altogether.

Why? No intense agony and surprise and anticipation and breathless reading so long as I'm awake, as many times as I've read it.

What chapter starts Vol.II?



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24 Oct 2018, 11:04 pm

Claradoon wrote:
Please tell me again about Vols.I & II. I don't have these indicated but I certainly feel them. I think. There's the WH that I know so well and then the "2nd generation" - Heathcliff Sr. and Jr. living together etc. Was this the original publication? Or was there an outcry for 'More'? Forgive my ignorance but without Catherine Sr., it's another book altogether.

Why? No intense agony and surprise and anticipation and breathless reading so long as I'm awake, as many times as I've read it.

What chapter starts Vol.II?


I'll go check. Give me 2 mins, Clara. :heart: I think it's 15.


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IsabellaLinton
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24 Oct 2018, 11:15 pm

IsabellaLinton wrote:
Claradoon wrote:
Please tell me again about Vols.I & II. I don't have these indicated but I certainly feel them. I think. There's the WH that I know so well and then the "2nd generation" - Heathcliff Sr. and Jr. living together etc. Was this the original publication? Or was there an outcry for 'More'? Forgive my ignorance but without Catherine Sr., it's another book altogether.

Why? No intense agony and surprise and anticipation and breathless reading so long as I'm awake, as many times as I've read it.

What chapter starts Vol.II?


I'll go check. Give me 2 mins, Clara. :heart: I think it's 15.


Yes, Chapter 14 is the last chapter in Volume I. Volume II begins with "Another week over - "

The first, 1847 editions of WH were published in two volumes along with Agnes Grey (by Anne), because it was customary for books to be sold in three volume sets. The publisher Thomas Newby and Sons did not make the corrections Emily had identified in her fair copy (revised manuscript), and several orthographic errors were printed in the publication. In 1850, after Emily's death, the second edition of WH was released. Charlotte corrected many errors (generally, of punctuation) and she combined short paragraphs into longer paragraphs with fewer exclamation marks and less challenging dialect by Joseph. She also reformatted the book to one volume, which was more common at that time. If you are reading an edition with only one volume, you know it's the 1850 version which was edited by Charlotte Brontë (along with her famous Preface, which called Emily a misguided mystic).


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25 Oct 2018, 7:34 am

Post: with more deeply thematic questions, no answers and no spoilers :heart:

Ellen Dean (Nelly): Discuss her role as the primary albeit unreliable narrator of WH.

I have to remind myself she is like a sibling to Catherine, Hindley and Heathcliff. She was raised alongside them at essentially the same age. In that sense, two boys and two girls were raised at WH. Two are biological children to the Earnshaws and two are adopted, with mysterious lineage. Again, there is dualism of nature (biological children) vs. nurture (adopted children). Does Nelly's passive-aggressive behaviour toward her quasi-sister Catherine lead to Catherine's ultimate destruction? How does it contrast with Hindley's active, more overt and physical hatred of Heathcliff? Is Nelly self-interested by nature, or does she consciously manipulate the plot in support of any one person? Which person? I've read that she was in love with someone. Who would that be?

I need to find the quote, but early in the novel Nelly implies to Lockwood that she may indeed be a Linton by lineage, and that her mother was forced to work for the Earnshaws when widowed or otherwise disgraced. The statement is something like "...for us. I mean, the Lintons". Does she just identify with the Lintons because she worked for Edgar at TG, or is there more to the story? Who is this woman and what is her vested interest in destroying Catherine?


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25 Oct 2018, 2:11 pm

Chapter 14: SPOILER

"Existence after losing her would be hell".

"If he loved her with all the power of his puny being, he couldn't love as much in eighty years, as I could in a day. And, Catherine has a heart as deep as I have; the sea could be as readily contained in that horse-trough, as her whole affection be monopolised by him - Tush! He is scarcely a degree dearer to her than her dog, or her horse - It is not in him to be loved as she loves me, how can she love in him what he has not?"


Heathcliff makes these proclamations to his wife Isabella, regarding Catherine's marriage to Edgar Linton! :evil:

Later, he calls Isabella a slut and a slattern. :cry:

Um.... Can you even imagine hearing this rant from your spouse during your honeymoon?

I don't think Isabella's emotional abuse is cited often enough, in contrast to the psychosexual violence she endures.
I wish Nelly had removed her from The Heights, but it's her fault that Isabella is there in the first place.

This chapter is so dark and twisty I can't bear it.


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25 Oct 2018, 3:33 pm

Spoiler about chapter 13-
That chapter really was so disturbing with how it revealed Heathcliff's true nature. I was naive enough to think that he would at least treat her civilly. Or that he would at least be a little flattered since someone admired him. Isabella never mistreated him since the beginning of the story, there was absolutely no reason to resent her for anything. Thinking of her life in Wuthering Heights is really scary, especially considering that she had a child too.



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25 Oct 2018, 3:46 pm

AprilR wrote:
Spoiler about chapter 13-
That chapter really was so disturbing with how it revealed Heathcliff's true nature. I was naive enough to think that he would at least treat her civilly. Or that he would at least be a little flattered since someone admired him. Isabella never mistreated him since the beginning of the story, there was absolutely no reason to resent her for anything. Thinking of her life in Wuthering Heights is really scary, especially considering that she had a child too.


"Now, was it not the depth of absurdity - of genuine idiocy, for that pitiful, slavish, mean-minded brach to dream that I could love her? Tell your master, Nelly, that I never, in all my life, met with such an abject thing as she is - She even disgraces the name of Linton... I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething, and I grind with greater energy in proportion to the increase of pain".


It's extremely hard for me to read these passages. He is a gaslighting psychopath with illusions of grandeur, incapable of empathy, reason or remorse. Isabella's confinement makes me physically ill.


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25 Oct 2018, 4:04 pm

Yes, i was shocked by that passage as well, it's such an unfounded cruelty. There's no reason to despise her, but it's like he doesn't have the emotional capacity to not despise anything or anyone that isn't Cathy.



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25 Oct 2018, 4:10 pm

AprilR wrote:
Yes, i was shocked by that passage as well, it's such an unfounded cruelty. There's no reason to despise her, but it's like he doesn't have the emotional capacity to not despise anything or anyone that isn't Cathy.


Heathcliff is deluded; he doesn't seem aware of his hypocrisy or projection. He chose to marry Isabella to orchestrate this charade, but he fails to admit his pleasure at the gain. The writhing worm is truly himself, because he cannot own the riches of Thrushcross Grange which he so desires, in retaliation against Edgar and Hindley. Isabella and Catherine are both stepping stones in his psychopathic game of revenge.


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25 Oct 2018, 4:36 pm

Again, spoiler-y post for the whole of the book!

Yes, his plan of revenge definitely comes from an inferiority complex. I admit that i didn't think he would plan everything so carefully and hurt so many people.He had many chances to stop what he's doing but he chose the wrong path every time, i don't think he deserves redemption even by the end of the book. Also, while i wasn't a big fan of Catherine Earnshaw, her daughter turned out to be my fav character. I was relieved that she and Hareton were able to break the chain of abuse in the end.