GriffinGuitar12 wrote:
I honestly think Regina's trying to spoof the typical music associated with her gender in "Fidelity" - she has a couple other songs like that, like "Hotel Song". It's a bit comparable to how Steely Dan were said to have been spoofing "smooth jazz" or "lounge music" on their "Aja" record, and that definitely appealed to people who typically didn't listen to "smooth jazz" or "lounge music" (why else would 4 of the songs on that album be getting airplay on classic rock stations across the country?) And I know Regina has appealed to many fans of "indie" and "alternative" music. IMO Steely Dan's fans know that what they're doing on the "Aja" record is a spoof and Regina's fans know that what she's doing on "Fidelity" and "Hotel Song" is a spoof. And both of them have harder-edged songs, too. Regina has the punky, Strokes-ish "That Time", and Steely Dan, of course, has the hard-rocking (IMO) Thin Lizzy-ish guitar anthem "Reelin' In the Years".
So in other words, she was trying to make the song sound feminine.
Whether or not it's supposed to be meant as an inside joke to her hardcore fans is beside the point. The end result is still a song that sounds feminine to the casual listener.
As someone who has only really heard two of her songs ("fidelity" and "us"), any convoluted, over-analyzed reasoning involving the knowledge of her other work, is irrelevant. The end result is still a song that sounds feminine (or, as it was posed in the question I originally responded to, "non-masculine").
The idea that Regina appeals to many fans of "indie" and "alternative" music is also irrelevant in this conversation as neither genre lays claim to a specific gender-identity.