Xanderbeanz wrote:
i find sometimes that people from a different culture can put a nice new spin on what seems like a tired genre. i love j-rock, for instance.
Sometimes even better then the original. Not exactly new, but I love the afro pop from Guinea/Mali sort of area how they mix cuban rhythms with griot and lovely synth guitar five finger styles. The sound was party due to the way their played have more in common with their traditional string instruments or however they decided to teach themselves, and also the fact they were using cheap Japanese guitars that were not well known. It is also a bonus that they couldn't Spanish.
That music works really well with noise. Black dice have been heading in that direction for a while.
I'm also into free improv and conctrete. Music can be made with anything.
Xanderbeanz wrote:
i have an incredible passion for finding out about weird and wonderful instruments, so i'm really into alot of ethnic music featuring things like, sitar, zithers, lutes, all kinds of wonderful percussion (gamelan, anyone?) and often, if I can find decent samples (or an actual player) i like to work some of these sounds into my own stuff...i guess peter gabriel did the same thing around the time of the security album...these instruments can add something fresh and interesting to a song.
I'm a big fan of Ravi shankar, and always liked the sound of the sitar, sarod, tabla, bansuri, mridangam, etc in Hindustani and Carnatic music. When I mention him I usually get the same predictable response. Granted to some it sounds like strangling cats, when sober. Maybe it is the strangling cats aesthetic than draws me to it, but seriously it is really great stuff. I wouldn't listen to cat being strangled when I'm stoned anyway. As for Ravi, he had very little to do with that anyway.
I'm not really into filmi/bhangra at all, so each to their own.
I saw him for his farewell to Europe gig at the barbican. He absolutely rocked. This was likely his very last gig in Europe, probably the one his last big shows ever before he dies. At one point I thought he might die on sage of a heart attack. But he totally surpassed all expectations. Despite being quite fragile sounding in-between ragas, when he was playing he seem to generate so much energy it unbelievable. You could just see his little foot tapping, sticking out of his matchstick white pantaloons off the end of the plinth. It was a constant throughout despite really complicated rhythms in Indian classical, which can have anything from 3 to 108 beats to the bar. He had someone tune his sitar in-between every raga, which I thought was very rock and roll.
There was an awesome bansuri (flute) player. This guy:
http://www.youtube.com/watch?v=7QuDEx3_Ygo
Last edited by 0_equals_true on 13 Aug 2008, 3:39 pm, edited 2 times in total.