Xelebes wrote:
I think the only time I've really ever heard this on a 4/4 beat was a local rave back in 2000 that Stacy Pullen played a 2 hour set at. He spent the first hour playing this real flue-dream sounding stuff, real uneasy but barely any noticeable trace of anything electronic, more just accoustic and uneasy...did that till you could barely stand it, got darker and darker and still unrefreshingly no basslines or anything wildly electronic and by the time the electronic came in you weren't even ready for it, went like going along the ocean floor right off the edge into a trench. The sad part - you'll NEVER find recorded sets like that and you have to have crates and crates of vinyl to even know the names of most of these artists who make that kind of stuff.
As far as my 4/4 darklight fix though, what I could get my hands on, I used to be a real big fan of Chris Liberator and Dave the Drummer; very filthy/dark edge of UK acid techno, though I think I heard the best of them around 2000, after that I really can't say much. Mark EG's good as well, probably has some sets where he throws down stuff like I'm thinking of in 4/4 (Techno Transmissions comes close at moments as does his Live @ Mischief set, as you'd figure though any available sets on soulseek or anywhere are his hard trance, progressive trance, or happy hardcore - not the acid techno or acid tech-trance).
The original topic though - I'm not just thinking dark or minimal, and I think I really threw it off badly on my response to marshall's post with that litany of stuff that's dark, kinda there kinda not and in completely different ways. Its a melodic and structural style, like what I posted in the sendspace rar, or at least its an emotional approach - difficult to pin down.