nitro2k01 wrote:
lemon: I like to listen to that kind of music when I'm working with something. It distracts some part of my brain, and lets the others work freely.
I'm actually interested in releasing something form you on
my lo-bitrate netlabel. Give me a private message if you're interested.
Also, I think you should listen to the album Snatch by Howie B, maybe you'll like it.
Also, some new music of mine:
http://localhosted.net/~nitro2k01/mp3/grabberb-2.mp3 (Short snippets, variants of the same thing)
http://localhosted.net/~nitro2k01/mp3/grabber3-2.mp3http://localhosted.net/~nitro2k01/mp3/n ... epmode.mp3 (Something for mr t3chst3p? (: )
(These are unmastered and unfinished as usual)
Very good, first couple kinda fall along the lines of breakbeat hardcore whereas the last is a nice experimental. A lot of times when I listen to this as well I also really see the weaknesses in my own production, mine tends to really fall back too much on repetition I think because I get too overwhelmed after a certain point in terms of adding much more, computing in the complexity, and having the kind of crazy structure you need to have something really free-flow and be loaded with those kinds of one-time effects that really separate someone who's really good with this stuff from someone who's just kinda average. The other thing that really seems to be tricky is being able to summon the kinds of sounds you want without having to absorb so much effort into it that it interferes with the creative process, when you can do that you have a lot of your major obstacles pretty much licked (the stuff you, Shleed, and Lemon are doing I really can't give enough props to).