Free Synthesizer for a Novel Musical Scale?
Hello, I have been wanting to create music using a synthesizer for quite some time, mainly because my constructed language, Sumamfy can be communicated via music and all the music of its culture, the Sutimpotyk, carries linguistic content. Here is my problem:
The scale
My scale is a type of equally tempered hexatonic, with an interval width of about 97⅕ millioctaves starting at about 32⅖ mO, followed by about 126⅗ mO and ending at 518½ mO, and normally uses an interval ratio of 3:2 octave, of about 583⅓ mO (or a perfect fifth.)
There are 3 lengths: Short, long and overlong, each relative to each other. Of course, these will have to be specified to produce sound.
The Issue
I need something Internet-based, or that may be easily downloaded for free and that can work on Ubuntu (my OS.) I can specify a frequency for each note but I do need something that allows me to easily make my own scale; the basic Western 12-tone and 7-tone scales will not work: I need something customizable.
Thank you for all your help!
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UPDATE: I have modified my scale; it still has the basic range of a perfect fifth but is now tetratonic instead of hexatonic.
My scale is equally tempered tetratonic so as to be compatible with the 4 level tones of my constructed language. The tetratonic scale has an interval width of about 146 millioctaves starting at about 36 mO, followed by about 182 mO, then 328 mO, and ending at about 474 mO, and uses a range of 3:2 octaves, of about 583 mO (or a perfect fifth.)
Thus, I need a tunable synthesizer that meets the requirements stated above. Thank you for your suggestions!
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Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
By the way, length is highly variable, not just short, long and overlong as before.
I seriously need assistance in this area so please respond if you have any knowledge.
Thank you!
_________________
Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
_________________
Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
so each interval is 146/1000 of and octave.an octave occurs when the frequency of tone is doubled.for instance the lowest note on a cell is C that has 64 vibration per second.the lowest note on a viola is C 128,middle C is 256 vps.you will need to determine how many times the octave is divided.im not sure how the 146MO equates into divisions of and octave.i not familiar with that form of measurement.i can only guess you literal mean is 1.4/10 which would be about like you said a hexatonic scale.i think using the language of VPS would work better than dividing an octave mathmaticly.your looking for a even temperment this could be difficult.a true instrament has a mean temperment or pure intonation.by mean temperment i would mean like a guitar that sounds best in E or a clarinette that sounds best in B flat.and of coarse violins,cello's,trombones and the human voice are pure tones.an even tempered instriment like a piano was made only for practical reasons.explain more about this scale
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its not often one makes me feel stupid about music theory but after much research all your mathimatical calculations are acurate.the millio octave is are and the cent is more commonly used but after studing the millio octave your calculations are correct.this would be your best bet as far as programing this scale.this indiginous music you like either sing and record your voice or play a recording of this music into your computer.then have the computer indentify the VPS and that would give you the intervals.then once you have the scale you have to programe it.i dont all any computer programs that could help.i dont have av computer and all my compositions are written with pencil and paper.
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Note that I am not using the octave as my range; I am using the perfect fifth. A perfect fifth has a pitch ratio of 3/2, or about 583 mO, and thus a perfect fifth above 10 Hz would be 15 Hz.
Here is my full scale, from the lowest mO to the highest mO: 36, 182, 328, 474. Where the frequency of the bottom of the range 10 Hz, the first tone is about 10.5 Hz, followed by about 11.25 Hz for the next tone, and then about 15 Hz and finally about 18.75 Hz for the final tone, with the top of the range being 22.5 Hz. And having the first tone, 36 mO, initially at 10 Hz will give the following frequencies for the note the next 3 perfect fifths up, respectively: 15 Hz, 22.5, 33.75. These are all treated as the first note, despite their being of different frequencies, just as in a scale with the octave as the range. Instead, I use a perfect fifth, like the Indigenous Peoples of the Great Basin.
_________________
Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
Note that I am not using the octave as my range; I am using the perfect fifth. A perfect fifth has a pitch ratio of 3/2, or about 583 mO, and thus a perfect fifth above 10 Hz would be 15 Hz.
Here is my full scale, from the lowest mO to the highest mO: 36, 182, 328, 474. Where the frequency of the bottom of the range 10 Hz, the first tone is about 10.5 Hz, followed by about 11.25 Hz for the next tone, and then about 15 Hz and finally about 18.75 Hz for the final tone, with the top of the range being 22.5 Hz. And having the first tone, 36 mO, initially at 10 Hz will give the following frequencies for the note the next 3 perfect fifths up, respectively: 15 Hz, 22.5, 33.75. These are all treated as the first note, despite their being of different frequencies, just as in a scale with the octave as the range. Instead, I use a perfect fifth, like the Indigenous Peoples of the Great Basin.
_________________
Forever gone
Sorry I ever joined
Note that I am not using the octave as my range; I am using the perfect fifth. A perfect fifth has a pitch ratio of 3/2, or about 583 mO, and thus a perfect fifth above 10 Hz would be 15 Hz.
Here is my full scale, from the lowest mO to the highest mO: 36, 182, 328, 474. Where the frequency of the bottom of the range 10 Hz, the first tone is about 10.5 Hz, followed by about 11.25 Hz for the next tone, and then about 15 Hz and finally about 18.75 Hz for the final tone, with the top of the range being 22.5 Hz. And having the first tone, 36 mO, initially at 10 Hz will give the following frequencies for the note the next 3 perfect fifths up, respectively: 15 Hz, 22.5, 33.75. These are all treated as the first note, despite their being of different frequencies, just as in a scale with the octave as the range. Instead, I use a perfect fifth, like the Indigenous Peoples of the Great Basin.
_________________
Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
Are you looking for a computer synthesizer that is "justly intonated" as in Harry Parch or Terry Reiley?
BTW, I recall Terry Riley doing an album of Just intonated music of a British folk tale, taking the original melodies of folk songs and deconstructing them ... with a saxophone quartet. Each of the 4 saxes just makes a microtone instead of fingering a proper note, and they blend together play pure, just, notes. It's the only just intonated recording I've ever heard that's very touching emotionally, instead of just intellectually.
[youtube]http://www.youtube.com/watch?v=mPRKKdFO__c[/youtube]
Personally, it's the very flaws of the Pythagorean 12 tone scale that I find appealing. Used to be into just intonation rather a lot, though.
Just google "just intonation plugin" and you will get loads of computer synth programs that allow for microtonal adjustment
http://magnus.smartelectronix.com/
http://www.musicwords.net/musictech/justtutor/justtutor1.htm
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Note that I am not using the octave as my range; I am using the perfect fifth. A perfect fifth has a pitch ratio of 3/2, or about 583 mO, and thus a perfect fifth above 10 Hz would be 15 Hz.
Here is my full scale, from the lowest mO to the highest mO: 36, 182, 328, 474. Where the frequency of the bottom of the range 10 Hz, the first tone is about 10.5 Hz, followed by about 11.25 Hz for the next tone, and then about 15 Hz and finally about 18.75 Hz for the final tone, with the top of the range being 22.5 Hz. And having the first tone, 36 mO, initially at 10 Hz will give the following frequencies for the note the next 3 perfect fifths up, respectively: 15 Hz, 22.5, 33.75. These are all treated as the first note, despite their being of different frequencies, just as in a scale with the octave as the range. Instead, I use a perfect fifth, like the Indigenous Peoples of the Great Basin.
_________________
Forever gone
Sorry I ever joined
Note that I am not using the octave as my range; I am using the perfect fifth. A perfect fifth has a pitch ratio of 3/2, or about 583 mO, and thus a perfect fifth above 10 Hz would be 15 Hz.
Here is my full scale, from the lowest mO to the highest mO: 36, 182, 328, 474. Where the frequency of the bottom of the range 10 Hz, the first tone is about 10.5 Hz, followed by about 11.25 Hz for the next tone, and then about 15 Hz and finally about 18.75 Hz for the final tone, with the top of the range being 22.5 Hz. And having the first tone, 36 mO, initially at 10 Hz will give the following frequencies for the note the next 3 perfect fifths up, respectively: 15 Hz, 22.5, 33.75. These are all treated as the first note, despite their being of different frequencies, just as in a scale with the octave as the range. Instead, I use a perfect fifth, like the Indigenous Peoples of the Great Basin.
_________________
Learn the patterns of the past; consider what is not now; help what is not the past; plan for the future.
-Myself
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