I'm a composer, but I'm really into a plethora of different things musically. I have two degrees in music, I teach piano and violin, play clarinet, am active as a paid, on-staff pianist at my church, do solo jazz gigs for fundraisers/private parties, compose/arrange for travelling 4-in-hand handbells. In my spare time, I program synthesizers and make ambient/space music. I also dabble in computer animation, but not very good at visual arts. At one time I was a dedicated actor with community theater, but I've had to make some sacrifices since I became a father. I'm a vintage synth enthusiast, though sadly I have to think realistically about my budget. I have a Yamaha TX7, TX802, a Roland alpha Juno 1, Akai S2000, Synclavier PSMT with FM and DDV upgraded sampling, and most recently an Oberheim Matrix 1000. I'm also programming for Korg X50, and I regularly work in software like Absynth, Reason, and Apple Logic Pro. I also occasionally use the entry-level version of Ableton Live because I like how easy it is to organize audio clips and loops and the different ways it can be used in live performance. Besides that, I also occasionally play guitar and have enjoyed playing electric bass since I was in middle school (currently play on a G&L Tribute L2500).
For me the biggest challenge to creating music was breaking away from a hyper-organized approach to creating music, rather than just letting the music flow naturally. When I focussed too much on a systematic approach of determining what I'd write, I'd end up with this chaotic, meandering result that never really went anywhere. I still compose atonal music, which to most ears is outlandish and harsh. But the difference is that the organization and structure is kept very loose. I write down what notes I'll play, but once I start recording the music HOW it gets played is a matter of almost an improvised approach that is as much chaotic as it is organic. The important part is I actually believe in what I write, which I couldn't always say with confidence. I feel like the aspieness wants to keep everything carefully structured and controlled, while what we generally label as being music can't be so easily held back in such a box. The struggle is almost light fighting logic.
Here's a link to my stuff, which is a cross-section of what I'm into including my semi-ambient/space music and handbell stuff as well as a Blender animation. I recognize that I have a lot of work to do, but I'll put more stuff up as I go.
http://www.youtube.com/angelrho