thegodofhats wrote:
Does anyone else think that the lead singers (especially female ones) of Generic Depressive Hard Rock (such as: Paramore, Evenecencse, Flyleaf, etc.) sound like fixed recordings of themselves singing. Now I know that they don't, my friend must have shown me twelve dozen live video recordings of each band, but they sound like they do. Like they train their voices to sound fake.
Personally I like a more sort of folky sound, real and personal. No one get mad at me, please, for thinking critically (or something) of whatever band of this genre is everyone's favorite this week and I know I'm making a pretty huge generalization. (Also I'm biased, can't stand high-pitch noises;) )
I think its probably the fact that they've learned so well to sing on key that they've forgotten a lot about dynamics and the specific ways and times to where deliberatly going off-key (but in a way that sounds methodical and planned) can really intensify the emotion of what a singer is putting out. I think that's what too much polish tends to wash out though - the emotion, the band can try to compensate it but in the end when the singer's style doesn't have enough swagger or enough layers to it you have an end result of a luke warm sound, couple that with bubble-gum lyrics and you've flat out got nothing suitable for ages 16 and up.
As for the kind of new female singer I'd like to see, our generation or even the next generation I think needs their own Judy Garland. I'm thinking of a girl who has the same kind of crowd magnetism and does with her music something a lot like Brad Nowell and Sublime did - with the dynamics, the subject matter, etc.; something that's real multilayer, conseptually pretty corrupted and hardened lyrically, but at the same time slingshots you so deep into the singer's headspace that its almost like listening to Eminem when his rhymes got so deep at times that its like his own reality was folding in on itself as the words came out. Seriously, the more immersive the better and immersiveness is exactly what the music today lacks for the most part.