Scintillate wrote:
Yeh I found year zero pretty gross at first, but I think I'm addicted to music that fools me into thinking its dirty and dark but is full of hope. I like music in which my first impression was negative a lot of the time.
Yeah, for me it wasn't that at all. The beat, the tempo, the lyrics, the choice of lyrics, just seemed real...well.....goofy, like dumb-angsty. Maybe I haven't listened to it enough but I tend to go energy first and the rest after and I couldn't get past that part of my perception. As for dirty and dark - I love dirty and dark as long as its all out, deep, intelligent, and really getting there emotionally. Its also why I prefer stuff like Alice In Chains, Tool, Skinny Puppy, etc. to hardcore metal bands - the whole Metalacalypse "All hail the norse gods!! UUahhh!", its cheesy, its catchy, its easy listening because its not serious, but being it just feels like geek rock it looses any appeal to me aside from something to jam out to on Guitar Hero with my friends when we're drunk. I like stuff that existentially epic and urgent, feels like a bad dream, or really expounds on the depths of someones own emotional hell. Regardless, even when its euphemistically positive - like you see with Sublime, its the cohesiveness of the intellect and the groove that drives me. A lot of bands start off real good, real solid, knowing what they want out of themselves, but then after the fire burns out they keep going just to jam and because the fans want them to - that's where I think things like Year Zero, Tool's 10000 Days, Skinny Puppy's new stuff, and any of that generally comes from. I tend to like the bands mostly when they've still got the fire in their gut.
BTW, if you dig this cd no doubt your hearing it from a different emotional standpoint, I respect that you like it for good reason. This is just how it still works for me though and how music still hits me emotionally. Yeah, I've widened out my tastes a lot but still - I tend to be a bigtime emotional energy snob when it comes to music.