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ASandproud
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20 Sep 2008, 6:40 am

I've bruised too many fruit
I've got beauty here in my room
I am continiously happy
I am consumed by dream
we are machines - machines we are in
I want to be packed in ice
I never want to die but still be alive
coming up through the ground
an all too familiar sound
we are machines - machines we are in


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ASandproud
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20 Sep 2008, 1:18 pm

Arrows:

I have difficulty looking you in the face
I find it so hard just to talk to you
So hard to take amphetamines, so so easy then
Am I pretty? sheltered child worrying

I live life with the volume turned down low
I can't complain I have arrows . . .

Can you help me mold a new self?
Suck out and swallow the needles in my mouth
"Medicine is for the weak", well look at me f***er I can't stand up
I am an angel, Gods lonely man

Everything I say is drowned out
I can't complain I am down now . . .

Fresh air could kill me
I probably have a garden growing somewhere inside my body
I don't believe in being ill, don't expect attention when you collapse
Just skin on bone, no one is made of stone . . .

I'm at home amongst shadows
I can't complain I have arrows




Any other writers on the site got any comments, tips, criticisms, whatever?


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Drakilor
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20 Sep 2008, 4:28 pm

These are very fragmented and doesn't make any overall sense; it looks like you just thought about some shallow personal issue and typed out whatever words came into your mind. Proper spelling and grammar also helps loads.
Further, they neither entice any emotions nor are they clever in any way. In other words, they're horrible poems; you should just write a diary or something.


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Sand
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20 Sep 2008, 4:42 pm

As somebody who attempts to write poetry I know it can be difficult. I am fascinated by words and some of the forms of poetry and perhaps my things lean to the formal too much. Please do not be discouraged by someone who doesn't like your work. All genuine effort is worthwhile and you should not write to please critics but for the pure delight of working with your feelings and with original ways to express yourself. Good poems are a rare surprise even for the accomplished poet and the important thing is to keep at it and learn as much about the pure craft as you can.



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20 Sep 2008, 6:48 pm

Emo Free Verse ... keep the day job.


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Sand
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21 Sep 2008, 4:10 am

THE PALETTE OF THE POET

There are certain colors
Very popular,
Like a child's strong reds,
Deep blues, elemental hues,
Strong shades of love, desire.
Sometimes young poets
Get stuck
On the sharp barb of Afuck@.
A strong splash of hate
Can be the tool
To concentrate the feel
Of language into steel.
But, too soon,
The disgrace
Dulls down to commonplace.
It requires more care
To ensnare the muted tones
Of subtlety, of evanescent
Momentary fancies
That float by like puffs of steam
Or thoughts from a recent dream.
Frightened mice
That dart in and away,
And are as difficult to catch
And snare in firm phrases;
Something that amazes
Even the one
Who fixes this phenomenon
Like a captured sun.



Drakilor
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21 Sep 2008, 11:19 am

Sand wrote:
THE PALETTE OF THE POET

This is also fragmented, but not as much; the sections only barely relate to each other and some lines could easily be removed because they make no sense at all. Additionally, the way you randomly insert adjectives in order to sound poetic provides a rather shallow experience.


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Sand
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21 Sep 2008, 12:42 pm

Drakilor wrote:
Sand wrote:
THE PALETTE OF THE POET

This is also fragmented, but not as much; the sections only barely relate to each other and some lines could easily be removed because they make no sense at all. Additionally, the way you randomly insert adjectives in order to sound poetic provides a rather shallow experience.


I must express my gratitude for a candid opinion. It's value, of course, is rather indeterminate.



ASandproud
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21 Sep 2008, 1:22 pm

Thanks for the comments everyone,
Sand thanks for the words of encouragement
guess I've got a lot of practice ahead of me yet, especially if my poetry is so bad it can be compared to emo ( that was really low fnord )

This ain't directed to everyone who replied:
Guess reading into metaphor is lost on some, huh?
Guess these poems are angry, cold and unemotional because thats how I was feeling at the time I wrote them.
And I guess they make little sense because I was tackling the impossible task of trying to understand that shallow well of deep depression
Guess they were just too deep and personal
Or maybe they just weren't spelt proper


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Drakilor
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21 Sep 2008, 1:34 pm

Sand wrote:
Drakilor wrote:
Sand wrote:
THE PALETTE OF THE POET

This is also fragmented, but not as much; the sections only barely relate to each other and some lines could easily be removed because they make no sense at all. Additionally, the way you randomly insert adjectives in order to sound poetic provides a rather shallow experience.


I must express my gratitude for a candid opinion. It's value, of course, is rather indeterminate.

Are you obsessed with making sure that no one assumes that you're taking offence or something?


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makuranososhi
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21 Sep 2008, 1:49 pm

ASandproud wrote:
Thanks for the comments everyone,
Sand thanks for the words of encouragement
guess I've got a lot of practice ahead of me yet, especially if my poetry is so bad it can be compared to emo ( that was really low fnord )

This ain't directed to everyone who replied:
Guess reading into metaphor is lost on some, huh?
Guess these poems are angry, cold and unemotional because thats how I was feeling at the time I wrote them.
And I guess they make little sense because I was tackling the impossible task of trying to understand that shallow well of deep depression
Guess they were just too deep and personal
Or maybe they just weren't spelt proper


I am loathe to give feedback... but I think you have good ideas; it is the formality of the sentence structure that makes it awkward in places when read aloud. Poetry, for me, is cathartic. If it works for you, that is the essential part.


M.


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Sand
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21 Sep 2008, 1:56 pm

Drakilor wrote:
Sand wrote:
Drakilor wrote:
Sand wrote:
THE PALETTE OF THE POET

This is also fragmented, but not as much; the sections only barely relate to each other and some lines could easily be removed because they make no sense at all. Additionally, the way you randomly insert adjectives in order to sound poetic provides a rather shallow experience.


I must express my gratitude for a candid opinion. It's value, of course, is rather indeterminate.

Are you obsessed with making sure that no one assumes that you're taking offence or something?


Would you prefer that I got nasty? I'm pretty good at that but it didn't seem worth the bother. I appreciate that anyone takes interest in my output enough to comment.



ASandproud
Snowy Owl
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21 Sep 2008, 2:01 pm

makuranososhi wrote:
ASandproud wrote:
Thanks for the comments everyone,
Sand thanks for the words of encouragement
guess I've got a lot of practice ahead of me yet, especially if my poetry is so bad it can be compared to emo ( that was really low fnord )

This ain't directed to everyone who replied:
Guess reading into metaphor is lost on some, huh?
Guess these poems are angry, cold and unemotional because thats how I was feeling at the time I wrote them.
And I guess they make little sense because I was tackling the impossible task of trying to understand that shallow well of deep depression
Guess they were just too deep and personal
Or maybe they just weren't spelt proper


I am loathe to give feedback... but I think you have good ideas; it is the formality of the sentence structure that makes it awkward in places when read aloud. Poetry, for me, is cathartic. If it works for you, that is the essential part.


M.



Thanks for your encouragement, appreciated.


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"Oh Well, Whatever, Nevermind . . ." - Kurt Cobain