Pop Music And The Science As To Why It Sucks

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Ganondox
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05 Jul 2015, 8:36 pm

80's pop is simple and stupid, but at least I find it pretty. Modern pop is hideous, it's got no good melody or harmonies, just obnoxious beats and obnoxious "singers".

HighLlama wrote:
Subjekt_9 wrote:
pop also gives us ingenious little songs like "Metal Detector" by They Might Be Giants or "Night Rally" by Elvis Costello.


Since when were Elvis Costello or TMBGs pop?


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dryope
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06 Jul 2015, 1:07 am

Thanks for posting this thread -- it's pretty interesting to break down what's going on here.

Hopefully we can agree, autotune aside, a lot of what's wrong with pop music today is the same thing that has been wrong with pop music at least since the '50s. It's mass-marketed music to teenagers by music merchants focused on making money. It's catchy and fun, and it makes you want to dance.

Those who like pop music: there is nothing wrong with liking something likable. Feel free to love pop music.

Those who don't like pop music: I think we are looking for art, not a feel-good experience. Is that right?

I personally think a lot of music's social purpose is to bring people together and create a congenial vibe. Before Beethoven, it kind of just did that: folk music for dancing, church music for praying, concert music for the rich, silly operas for the crowds (in Italy, anyway). Everything kind of sounded the same, and it was trying to (yes, even awesome Mozart). If you were good, you took that sound and did something really clever and awesome sounding with it.

Beethoven was a misanthrope who broke all the rules and got away with it. From him, we got the idea (in the Western musical tradition anyway) that there was an Artist, and his Art should reflect his Vision. (And, for better or worse, all this enabled that jerk, Wagner.)

For example, I like Feist because she has a vision and her music is like very personal poetry (and her song "1234" makes fun of pop music, too). I don't like Robin Thicke because it sounds like shiny, pointless noise produced by a computer.

But I think pop music is like those pre-Beethoven works that are all trying to sound the same, for a social and commercial purpose. Some, like Mozart, are fantastic even though they play by the rules and have that "same" sound. Gnarls Barkley's "Crazy" is a great pop song, even if Barkley is no Mozart, and it still has that same "pop music" sound as everything else around it.

I think it's OK that some music plays by the rules and sounds the same. I think it's like going back deep into our musical roots. When I hear a terrible pop song with a really good beat and lots of flashy sounds, I think how it's similar to what our hunter-gatherer forebears played around the campfire: good music to dance to, something everyone could take part in. And something kind of sexy, or which at least gets the blood pumping for love or war.

Maybe most people's minds need that blood-pumping, social-bonding sound playing the soundtrack to their lives.

I don't.

But I'm probably also talking out of my hat. I'm no music major.


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15 Jul 2015, 5:52 pm

I turned off my radio a few years ago, stopped listening to Pandora and such, and now simply explore "that side" of youtube where all the indie/unsigned acts are. I'm discovered bands that emulate the late 70s-early 80s postpunk/new wave sound that I fell in love with almost ten years ago. Bands like Linea Aspera, She Past Away, Winter Severity Index, Django Django, Broken Bells, etc. just simply are wonderful to my ears.

I still listen to a little bit that falls well outside of postpunk/new wave's sphere of influence such as Noel Gallagher's High Flying Birds, Keane, and such though.

Also to the OP: I found it ironic that you posted a link from a country music website. Now that is repetitive garbage. Marty Robbins and Johnny Cash must be rolling in their graves to hear what country has become.



nick007
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17 Jul 2015, 8:25 pm

I know it sux but I really like pop music.


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18 Jul 2015, 3:23 pm

HighLlama wrote:
Subjekt_9 wrote:
Its made for idiots. What did you expect?


For or by? Or both? To say it's for idiots assumes the intention behind everyone's use of that music. For example, I listen to the Kiss albums with Ace Frehley on them. I think their music is dumb and they stand for a lot of things I don't. But I find that its simplicity and stupidity can actually be calming, especially after a hard day of work and/or social obligations. So I listen to it to help clear my mind, and then I can put on something more stimulating. But if I just tell people I enjoy Kiss, they will think I'm like other fans who look up to them, go to all the concerts, etc. My reasons for using the music are different than many of the other fans' reasons.

That said, I think pop music still takes skill. Compare the sense of structure, timing, and variation in a Paul McCartney song with something by Kiss. They are the same general art form, but he is clearly more intelligent with crafting a song. And while pop may tend to be simple, that doesn't mean it's dumb. It takes skill to be concise. I also think some of the same arguments against pop could be, or have been, used against TV, film, video games, and other media which seem to have defenders here. Pop is just one example of the human voice, and can express various things. While much of it on the radio today is about simplistic yearnings to be wealthy, sexually desirable, and prove you're better than others, pop also gives us ingenious little songs like "Metal Detector" by They Might Be Giants or "Night Rally" by Elvis Costello.


For what it's worth Kiss formulated for the most part by two guys as a vehicle to make money and have as wide a commercial appeal as possible. Of these two guys, one of them is an Israeli immigrant who lost a good part of his family due to starvation and Zyklon B in Auschwitz. That alone provides enough drive to strive for success, and they have succeeded quite well. I'm not really a fan of Macca's stuff since either the Fab 4, or even Wings Over America for that matter, but if you listen to what he's playing it all fits togeather really well.

Creating something simple and accessible to many can be an art unto itself, as the above have proven.

That being said, Pop music has grown steadily worse over time due to the fact that it now has to appeal to an even broader market than it had to before, and whenever one band comes up with something new, there will inevitably be scads of bands that jump onto that style but with much less creativity. -- A lot of the derivitive crap is essentially bands who perform music written by professional songwriters who earn corporate paychecks. While the bands may make a little cash through royalties, their main income is through touring.


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18 Jul 2015, 4:30 pm

dryope wrote:
Beethoven was a misanthrope who broke all the rules and got away with it. From him, we got the idea (in the Western musical tradition anyway) that there was an Artist, and his Art should reflect his Vision. (And, for better or worse, all this enabled that jerk, Wagner.)

It's all a progression. Beethoven's first two symphonies sound like Haydn clones-- good Haydn clones, but clones nonetheless. Once he had an audience he gradually altered and advanced his techniques until he hit his apex with the fifth, sixth and seventh symphonies.

As for complaints about the simplicity and repetitiveness of pop music: that's what happens when capitalism and the resulting industrial processes take over an art form. The entire capitalist system is based on making the cheapest product possible so it can be affordable to the most amount of consumers, pop music is merely one of those products.

As for complaints about modern pop sounding all alike, I blame that on extreme compression and brickwall limiting (a specialized compressor). Both technologies allow mix and mastering engineers to make songs louder at the cost of the recording's nuances. This makes songs sound flat since a large part of the musician's performance is cut out. I could write a book on it but I won't here, that being said I highly recommend looking up brickwall limiting to understand just how destructive it is to the characteristics of a performance.



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19 Jul 2015, 5:32 pm

All I see most pop as nowadays is just talentless models who only made it big because they had money and people would listen to anything that comes out of a pretty face. They focus more on having a catchy hook then actually taking time to make a good song. As a musician myself, I can tell there's usually not a lot of thought that goes into it. When I compose my music, I spend up to a month, 1 to 4 hours a day, to get just ONE single song done on guitar because I don't want it to be simplistic. I want it to be as good as it can possibly get. But at least 10 years from now, half these BS pop stars like Nikki Manaj, Blood on the Dance floor, and One Direction will be gone. Look at Justin Bieber, only reason you hear about him is when he acts like a f*****g idiot, you never hear any news about his music anymore.



Ganondox
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21 Jul 2015, 5:13 pm

dryope wrote:

Those who don't like pop music: I think we are looking for art, not a feel-good experience. Is that right?


Yes, but modern pop doesn't even do that much for me. :P


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Alien_Papa
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25 Jul 2015, 12:53 am

It sucks because it's popular.