Well, I can only speak to the Music Industry, whose squealing and whining about peer-to-peer 'piracy' are hypocritical and disingenuous. They've spent decades gouging the consumer and ripping off their own talent pool and they want us to commiserate with them because profits have dropped from 20 billion to 17 billion? Boo f**kin' hoo.
The mechanics may be different now, with so much music being sold online, but here's how it worked during the 70s and 80s:
Most of their artists don't get a dime off their first two albums, no matter how successful they are, because the record company charges them for absolutely everything involved in the production, promotion and distribution of said record. If the artists make any money off the success of the first couple of albums, its in concert ticket sales. Only a handful of pop artists even make it to the release of a third album, so it's very easy to be a huge hit for a year or more and still end up homeless just a short time later.
Of course, those performers who do last long enough to make it really big, do get really rich, and you'll notice when the word 'piracy' was first tossed about in reference to online downloading, the loudest, nastiest accusers were folks like Metallica and Madonna, whom, as far as I'm concerned, ought to be on their knees every day thanking whatever higher power they believe in that there are actually people out there who
want to hear the crap they turn out , instead of attacking their own fans for enthusiastically trading their work amongst themselves.
Back in the mid sixties, the record companies threw a fit when recordable cassette tapes were first introduced to the market, claiming that if people could easily and conveniently record their favorite LPs by borrowing a copy from a friend, the recording industry would be
put out of business! They actually filed court injunctions to stop the sale of blank cassettes, and this was before cassette recorders could even record in full stereo. In the 70s, they went ballistic again, when FM radio stations began a trend of filling overnight programming hours by tracking entire albums on the air. Again, the claim was if you could record the whole album right off the airwaves, you'd
never buy another record again. A columnist in an industry trade magazine at the time said that was like saying "If you build libraries, people will stop buying books."
Whether people can trade music online or not, they will still buy - the trick is and has always been in the marketing. At least they figured out pretty quickly that good marketing did not include having your potential consumers arrested for enjoying your product. I for one have no sympathy for their "Woe is us, the sky is falling!" hysterics every time something takes a tiny bite out of their profit margin. I can only assume that Hollywoods' posturing over 'piracy' is just as greedy. James Cameron just made well over a Billion dollars (and climbing) on one film. If the Chinese sell ten million bootleg DvDs of
Avatar, you suppose he's gonna miss a meal?