I should really seek out a community choir of some kind to join. I miss performing with an ensemble (same goes for violin and orchestra too but my bow needs to rehaired something fierce before I do that).
I sang choir in high school, and was in a show choir in college, did voice lessons and so on.
Eventually, I developed a freakishly large range that's one note shy of 4 octaves. I have no idea how that happened. I just know that when I was a teen, my voice cracked, I was singing alto after that, and had barely any soprano range. Then I got my soprano range back in my upper teens, went to college and started finding whistles of all things.
I'm usually that person, that when they need to add power to a section (or someone who can find strange harmonies or higher notes) I'm there. I am very pitch and harmony gifted at hearing things. Rhythm is another story (lol) and I usually have to take it home, clap it out and practice to get that part right. But one thing I noticed (and it could be the stubbornly easily bored 1st violinist in me) is that I am generally dissatisfied with many choir's bland SATB arrangements they choose. I am especially not happy with anything like watered down Mac Huff! He gives women the most boring parts in the universe (and I would know since I've sang all three parts in various choirs). Altos get stuck around the same 3 or 4 notes, sopranos get the melody (blah, give me something more challenging), and 2nds get the melody with random arbitrary other harmony notes thrown in every so often to make sure you don't fall asleep at the helm.
I just crave something more... intense. I remember the show choir I was in, and the director decided to have us do The Nylons arrangement of Up the Ladder to the Roof, and while a lot of the people in choir absolutely hated it because they struggled to find their parts in the dense harmony, but I loved every minute of it. And I got to not only dig into the harmony, but I was allowed to do the high notes too. And there's something loveable about a capella singing when done right.
Some people feel naked when they sing a capella, but I'm just used to it. I was raised in a church (that I can't stand anymore but that's besides the point-- they thought instruments were evil and disallowed them) but they sang everything a capella, but because of being raised that way I was just used to it. It's strange. I keep meeting people from (or formerly of) that denomination and it seems a common trait that when you're used to a capella that you don't flatten your pitch over the course of the song or lose your sense of key or melody.
I don't really like how a lot of stuff just plain doesn't suit my voice type though. There's just something about it that's good for blending, but not for solo stuff I've noticed.