Stargazer43 wrote:
If I get one it definitely won't be an electric. Acoustic all the way!
My specialization would be in electric, so I don't know so much about steel/bronze string acoustic guitars other than I find them painfully loud in an enclosed space... They are meant for playing loud enough to improvise being heard without amplification in a crowd within a small venue as I'm certain everybody knows. It does not improve a player's technique to play in a reserved manner to reduce complaint like a true bedroom warrior either, so in my way of practicing with live dynamics for the aim of not running into unexpected tone territory during live performance, a full body dreadnaught would be far too loud for thin walled apartment practice.
Perhaps if you were to be comfortable with their neo-lute shape, Ovation makes a lot of acoustic electric guitars with shallow bowl backs. I used to have one, and it wasn't too loud unplugged. If that felt too loud, you could try a sound hole cover, though, they aren't really made for muting the sound much(some reviews on amazon report a slightly dampened noise level, and they're typically inexpensive)... just made to reduce feedback during amplification. Or maybe even try dampening with a strong hair tie over the first fret when wanting to be extra careful of the strings' sustain building up too much until you feel in control of such with your technique... I've never tried doing so, but I've heard of it being done.
As far as classical guitars, I'd avoid them if you don't intend on playing primarily classical music. They have a 2 inch nut, thick necks, no fret inlays, nor neck markers. In addition, they don't have a cutaway for reaching the higher notes like some acoustic guitars do, and typically end at 19 frets with a blunt heel at about the 10/11th fret, and the body meeting fretboard at the 12th. The bulk round shape of the body as well is designed to be held in classical form. So unless you intend to play sitting and having to use a foot stool and hold the guitar in your lap at about a 40 degree skyward angle, it's probably not going to be practical for anything outside of solo classical/inspired music. Also, the primary way to play them is through fretting barre chords and playing fingerstyle... I can't imagine a pick sounding all that refined/defined sliding past nylon. Ah, and they're rather delicate... unless you go with a Cordoba, they typically don't even have truss rods to fine-tune/repair the action, and all should be stored in their case with a humidifier to prevent ware and distortion to the wood from changes in humidity when not in use. I mean, even an electric should not be kept outside of it's home case for too long, but since acoustic and classical are primarily thin pieces/sheets of wood held together by glue, it's especially important to keep them safe from too much exposure to hot, cold, dry, or overly humid air.