To the guy who asked whether Trent's expecting to make any money off it, I sincerely doubt it.
The website even says "This one's on me." He's been at this for 20 years, the man's rolling in it.
He just released Ghosts aswell, and it's not like there was a Record Label there to take like 80% of the money made off each sale. The money went to Trent.
And to the guy who said "I listened to them loads around 15-16," so did I, for those 2 years I was absoloutely obsessed with his work, then when the Year Zero ARG started, I followed that, then bought the album, listened to it none-stop for a few months and ever since then I started to think Trent was losing it a bit.
The Slip just proves he can write politically charged, moving, emotional music without it coming off as juvenile or convulted like a lot of Year Zero did, and I've gained respect for him again.
Yeah it's obviously an improvement over With Teeth, but Year Zero has zero sense of melody, it's glitches and noise for the sake of noise.
The Slip is musically brilliant. Noisy, but not for the sake of noisyness, and it's all used in a much more musical way.
I love random noisy **** as much as the next guy, but it makes for terrible replayability.
Obviously The Slip's only been around a couple of days, but I can see this sticking with me for a lot longer than YZ did.
I don't reckon he'll ever top The Downward Spiral or The Fragile, though ;]
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